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It's a sad fact of jazz that Miles Davis used the Michael Jackson mega-hit "Human Nature" as a concert staple during his last years. As such‚ one of the King of Pap's biggest pieces of… schmaltz is "officially" in the jazz lexicon‚ and pianist Vijay Iyer uses the Steve Porcaro composition to open his first trek into Keith Jarrett working-without-a-net territory‚ Solo. It makes you wonder if Iyer ever heard that slogan‚ "You never get a second chance to make a first impression." It could have been a train wreck; instead‚ it's a magic trick.
If memory serves‚ Davis played "Human" relatively straight (much to our horror‚ I might add.) Iyer's spare opening re-sets the piece's tone right out of the gate. It's still got some of the original's wistfulness‚ but there's a sense of hopelessness Jackson couldn't have produced even with Quincy Jones' talent for alchemy. The chorus "Tell 'em that it's human nature" goes from a smiling shrug to a sighing acknowledgement. Although Iyer ends the piece on a note of quiet hope‚ his middle-section improvisation throws bursts of anger at the slights and atrocities human beings seem to pull off without a second thought.
Although Iyer stays with the classics for the first part of Solo‚ he doesn't let the masters intimidate him. Instead of trying to fit himself into Thelonious Monk's signature coda "Epistrophy‚" Iyer makes Monk's tune fit into a swirling analog tape loop that's closer to Steve Reich than Slam Stewart. Iyer shoots Duke Ellington's "Black and Tan Fantasy" back to the New Orleans parlors where Jelly Roll Morton made his name‚ and then Iyer gives a respectful nod to Ellington's later‚ larger works with the pastoral "Fleurette Africane."
Thankfully‚ Iyer doesn't do the full Keith Jarrett‚ filling the middle of Solo with marvelously complex originals. If the Tea Party could understand jazz‚ the rage and resentment inherent in "Autoscopy" would force them to make it their theme song. "Desires" proves once again that wanting and getting are two separate things‚ and "Patterns" starts like raindrops on a pond‚ but meditation quickly becomes mind-racing.
In an age of mindless über-entertainment‚ Solo is the sublime sound of one man thinking (and‚ in some cases‚ re-thinking). That doesn't make it peaceful or simple‚ but you can chalk that up to… well‚ to human nature.
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Jazz Diva
January 6, 2011
Wonderful review!
January 6, 2011
Wonderful review!
muad dib
January 9, 2011
great jazzers always love good melodies whether it's Michael Jackson or--gasp!---cyndi lauper...savor it rather than simply shred it: it's the next best thing to silence (or white noise)
January 9, 2011
great jazzers always love good melodies whether it's Michael Jackson or--gasp!---cyndi lauper...savor it rather than simply shred it: it's the next best thing to silence (or white noise)
aim high
January 10, 2011
Don't fuck with MJ. Seriously.
January 10, 2011
Don't fuck with MJ. Seriously.
J Hunter
January 11, 2011
My problem with Davis' cover of "Human Nature" (and "Time After Time", for that matter) is not just that he covered it; it's that he didn't _do_ anything with it -- that is to say, make it his own, which he had the power to do even in his last years. To the best of my memory, every time Davis played these tunes in concert, most people headed for the restrooms or the concession stand because they were either horrified or flat-out bored.
As to the melodies, neither of them are much to write home about: For me, it's the lyrics (and Lauper's tortured vocal) that make the original "Time After Time", not the melody, and with "Human Nature", it's all about the beautiful package Quincy Jones wraps it in. Iyer's "Human Nature" is a personal statement with much greater depth than the original, just as Cassandra Wilson's treatment of "Time After Time" seems to come from _her_ heart. To my mind, Iyer and Wilson did more with these tunes than Davis ever did, and greatly improved on the originals.
January 11, 2011
My problem with Davis' cover of "Human Nature" (and "Time After Time", for that matter) is not just that he covered it; it's that he didn't _do_ anything with it -- that is to say, make it his own, which he had the power to do even in his last years. To the best of my memory, every time Davis played these tunes in concert, most people headed for the restrooms or the concession stand because they were either horrified or flat-out bored.
As to the melodies, neither of them are much to write home about: For me, it's the lyrics (and Lauper's tortured vocal) that make the original "Time After Time", not the melody, and with "Human Nature", it's all about the beautiful package Quincy Jones wraps it in. Iyer's "Human Nature" is a personal statement with much greater depth than the original, just as Cassandra Wilson's treatment of "Time After Time" seems to come from _her_ heart. To my mind, Iyer and Wilson did more with these tunes than Davis ever did, and greatly improved on the originals.
muad dib
January 12, 2011
everybody lieks to relax, Miles no exception, so...relax
January 12, 2011
everybody lieks to relax, Miles no exception, so...relax
Mike M.
January 12, 2011
Miles Davis was so inventive that he even created smooth jazz. And that was pretty shitty - I concur J.
January 12, 2011
Miles Davis was so inventive that he even created smooth jazz. And that was pretty shitty - I concur J.
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